I took a look at ‘Cammy Riddim’, the new instrumental from Blay Vision and why versions of it are good for grime.
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I took a look at ‘Cammy Riddim’, the new instrumental from Blay Vision and why versions of it are good for grime.
Read MorePhoto by: Jun Yokoyama Running The Art of Grime means I naturally dig for grime and grime adjacent tracks alongside my usual musical intake of soul, R&B and dub. Two tracks that have been on my radar throughout May and into June are ‘Warlord’ and ‘Hunger’. The former — released by Daffy, Dominus and Riko…
Read MoreMay’s edition of Speakerbox with reviews of Renz, Walton, Logan OLM & more.
Read MoreReece West ft. Flirta D, Double S, So Large, Bruza & Kozzie – I Did (prod. By Kid D) ‘I Did’ places tone above flashy lyricism. Reece West, Double S, So Large and Kozzie flex their road legitimacy and microphone dominance, which could sound tired in lesser hands, but each emcee attacks the beat with…
Read MoreMarch edition of Selections. Features reviews of Lolingo & Elf, Roachee, Queenie and more.
Read MoreMarch edition of Speakerbox. Features reviews from Kyeza & GYRO!. Adam R & Efflex, Kush Jones, Earthspin Recordings & more.
Read MoreAn interview with grime producers Adam R & Efflex.
Read MoreWhether it’s pirate or internet, radio is a format intrinsic to grime. It’s something that sets grime apart from other rap-based music. You can’t hear five of the best rappers live on a Thursday night, but you can listen to five of the best grime emcees on any given weeknight, live streamed directly to whatever…
Read MoreFebruary’s edition of Selections featuring reviews of tracks from Sir Spyro, FFSYTHO, Tintz & more.
Read MoreFebruary’s edition of Speakerbox, featuring reviews of records from Duppy, Amang Djaso, Grandmixxer, Mayday, GroundHummm & more.
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